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A breakdown of all the music nominated at the 2025 Golden Globes

The Music Celebrated at the 2025 Golden Globe Awards

By Kunga Sagar Last updated

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The 2025 Golden Globes Awards came early this year- what was immediately discussed was rising stand-up Nikki Glaser’s politically driven opening monologue as host, along with awkward camera angles (as called out by Seth Rogen when he was presenting). For those of us who love and appreciate music featured in movies, it was a big night. A Complete Unknown, James Mangold’s biopic about the early years of Bob Dylan’s career, received numerous nominations. Musicals Emilia Perez and Wicked took home the awards for Best Motion Picture - Musical or Comedy and Cinematic and Box Office Achievement, respectively. We looked closer at the winners and nominees of the two music awards, highlighting how essential a good song or score is to elevate a film.

Best Original Score - Motion Picture

Trent Reznor, Atticus Ross, "Challengers" — Winner

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Zendaya

Zendaya

Mike Faist

Mike Faist

Josh O'Connor

Josh O'Connor

Bryan Doo

Bryan Doo

Shane T Harris

Shane T Harris

Nada Despotovich

Nada Despotovich

Joan Mcshane

Chris Fowler

Chris Fowler

Mary Joe Fernández

Mary Joe Fernández

A.J. Lister

A.J. Lister

Connor Aulson

Directed by Luca Guadagnino

Check out the full Challengers soundtrack here.

Volker Bertelmann, "Conclave"

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Ralph Fiennes

Ralph Fiennes

Stanley Tucci

Stanley Tucci

John Lithgow

John Lithgow

Isabella Rossellini

Isabella Rossellini

Lucian Msamati

Lucian Msamati

Carlos Diehz

Carlos Diehz

Sergio Castellitto

Sergio Castellitto

Brían F. O'Byrne

Brían F. O'Byrne

Merab Ninidze

Merab Ninidze

Thomas Loibl

Thomas Loibl

Jacek Koman

Jacek Koman

Bruno Novelli

Directed by Edward Berger

Check out the full Conclave soundtrack here.

Daniel Blumberg, "The Brutalist"

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Adrien Brody

Adrien Brody

Felicity Jones

Felicity Jones

Guy Pearce

Guy Pearce

Joe Alwyn

Joe Alwyn

Raffey Cassidy

Raffey Cassidy

Stacy Martin

Stacy Martin

Emma Laird

Emma Laird

Isaach de Bankolé

Isaach de Bankolé

Alessandro Nivola

Alessandro Nivola

Benett Vilmányi

Benett Vilmányi

Michael Epp

Michael Epp

Jonathan Hyde

Jonathan Hyde

Directed by Brady Corbet

Check out the full The Brutalist soundtrack here.

Kris Bowers, "The Wild Robot"

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Lupita Nyong'o

Lupita Nyong'o

Pedro Pascal

Pedro Pascal

Kit Connor

Kit Connor

Bill Nighy

Bill Nighy

Stephanie Hsu

Stephanie Hsu

Matt Berry

Matt Berry

Ving Rhames

Ving Rhames

Mark Hamill

Mark Hamill

Catherine O'Hara

Catherine O'Hara

Boone Storm

Boone Storm

Alexandra Novelle

Alexandra Novelle

Raphael Alejandro

Raphael Alejandro

Directed by Chris Sanders

Check out the full The Wild Robot soundtrack here.

Clément Ducol, Camille, "Emilia Pérez"

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Karla Sofía Gascón

Karla Sofía Gascón

Zoe Saldaña

Zoe Saldaña

Selena Gomez

Selena Gomez

Adriana Paz

Adriana Paz

Edgar Ramírez

Edgar Ramírez

Mark Ivanir

Mark Ivanir

Eduardo Aladro

Eduardo Aladro

Emiliano Hasan

Emiliano Hasan

Gaël Murgia-Fur

Tirso Pietriga

Xiomara Ahumada Quito

Magali Brito

Directed by Jacques Audiard

Check out the full Emilia Pérez soundtrack here.

Hans Zimmer, "Dune: Part Two"

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Timothée Chalamet

Timothée Chalamet

Zendaya

Zendaya

Rebecca Ferguson

Rebecca Ferguson

Javier Bardem

Javier Bardem

Josh Brolin

Josh Brolin

Austin Butler

Austin Butler

Florence Pugh

Florence Pugh

Dave Bautista

Dave Bautista

Christopher Walken

Christopher Walken

Léa Seydoux

Léa Seydoux

Stellan Skarsgård

Stellan Skarsgård

Charlotte Rampling

Charlotte Rampling

Directed by Denis Villeneuve

Indeed, this group has some worthy winners, but the Globes got it right. When the film Challengers is mentioned in discussion, Reznor and Ross’ electrifying score is always one of the first qualities brought up. Pulsating, riveting electronica makes tennis as frenetic and flat-out sexy as can be. Bertelmann’s Conclave adds a Hitchcockian element to the suspense permeating underneath what seems to be a bunch of aging men in rooms talking (don’t get me wrong, the banter is brilliant, particularly with Stanley Tucci’s character, but the story’s outcome certainly doesn’t evoke that many jaw-drops). At the same time, Blumberg’s Brutalist score begs the audience to find profundity in each frame. Both are effective, but the work awarded here feels more honest and provocative. It may seem like a game of tennis, but it’s really a battle for one of the more dangerous femme fatales in recent memory.

Best Original Song — Motion Picture

"El Mal," by Clément Ducol, Camille and Jacques Audiard (from "Emilia Pérez") — Winner

"Mi Camino," by Clément Ducol and Camille (from "Emilia Pérez")

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Karla Sofía Gascón

Karla Sofía Gascón

Zoe Saldaña

Zoe Saldaña

Selena Gomez

Selena Gomez

Adriana Paz

Adriana Paz

Edgar Ramírez

Edgar Ramírez

Mark Ivanir

Mark Ivanir

Eduardo Aladro

Eduardo Aladro

Emiliano Hasan

Emiliano Hasan

Gaël Murgia-Fur

Tirso Pietriga

Xiomara Ahumada Quito

Magali Brito

Directed by Jacques Audiard

"Beautiful That Way," by Miley Cyrus, Lykke Li, and Andrew Wyatt (from "The Last Showgirl")

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Pamela Anderson

Pamela Anderson

Jamie Lee Curtis

Jamie Lee Curtis

Dave Bautista

Dave Bautista

Brenda Song

Brenda Song

Kiernan Shipka

Kiernan Shipka

Billie Lourd

Billie Lourd

John Clofine

John Clofine

Jason Schwartzman

Jason Schwartzman

Patrick Hilgart

Patrick Hilgart

Jesse Phillips

Jesse Phillips

David Avne

Sean Patrick Bryan

Sean Patrick Bryan

Directed by Gia Coppola

Check out the full The Last Showgirl soundtrack here.

"Compress/Repress," by Trent Reznor, Atticus Ross & Luca Guadagnino (from "Challengers")

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Zendaya

Zendaya

Mike Faist

Mike Faist

Josh O'Connor

Josh O'Connor

Bryan Doo

Bryan Doo

Shane T Harris

Shane T Harris

Nada Despotovich

Nada Despotovich

Joan Mcshane

Chris Fowler

Chris Fowler

Mary Joe Fernández

Mary Joe Fernández

A.J. Lister

A.J. Lister

Connor Aulson

Directed by Luca Guadagnino

"Forbidden Road," by Robbie Williams, Freddy Wexler & Sacha Skarbek ("Better Man")

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Robbie Williams

Robbie Williams

Jonno Davies

Jonno Davies

Raechelle Banno

Raechelle Banno

Damon Herriman

Damon Herriman

Steve Pemberton

Steve Pemberton

Alison Steadman

Alison Steadman

Kate Mulvany

Kate Mulvany

Frazer Hadfield

Frazer Hadfield

Tom Budge

Tom Budge

Anthony Hayes

Anthony Hayes

Jake Simmance

Jake Simmance

Jesse Hyde

Jesse Hyde

Directed by Michael Gracey

Check out the full Better Man soundtrack here.

"Kiss The Sky," by Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack & Ali Tamposi (from "The Wild Robot")

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Lupita Nyong'o

Lupita Nyong'o

Pedro Pascal

Pedro Pascal

Kit Connor

Kit Connor

Bill Nighy

Bill Nighy

Stephanie Hsu

Stephanie Hsu

Matt Berry

Matt Berry

Ving Rhames

Ving Rhames

Mark Hamill

Mark Hamill

Catherine O'Hara

Catherine O'Hara

Boone Storm

Boone Storm

Alexandra Novelle

Alexandra Novelle

Raphael Alejandro

Raphael Alejandro

Directed by Chris Sanders

The amount of controversy Emilia Perez has garnered seems appropriate. As someone who has been referred to as “exotic,” it’s easy to empathize with those who find the film racist and transphobic. If we remove those criticisms and judge the work, it still doesn’t feel as deserving as the Challengers’ “Compress/Repress.” It’s a weak list of nominees, from the box office and critical bomb Better Man sneaking in to Perez having two songs on board. Babygirl and Wicked had strong original compositions that would’ve deserved more.

The Golden Globes have always been a party for those who worked hard all year in film and television and are fortunate enough to be recognized for their work. Rather than have all that Oscars esteem, they drink, eat, and laugh all night while being on live television. It leaves room for daring comedians to engage in an unmerciful roast session against Hollywood’s elite, and that’s what keeps viewers returning year after year. As for award credibility, not so much. Some years, they got it right, such as giving Best Picture - Drama to The Social Network or Best Picture - Musical or Comedy to Lady Bird. Still, when one takes a closer look at the list of nominees, one will see that influencer status is what the Hollywood Foreign Press honestly cares about.

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